Music In Ancient Israel Palestine

Preface
Illustrations
Abbreviations
Tables

INTRODUCTION
Geographical, Chronological, And Cultural Parameters
Sources
Musical Instruments In The Bible
Meaning
Classification
The Instruments
‘ Aseberoim
halil
hasosera
kinnor
mena’an’im
mesiltayim, Selselim
nebel, Nebel ‘asor
pa’ Amon
qeren Hayyobel
opar And operot Hayyobelim
top
‘ugab
Instruments In Daniel
Collective Expressions – Typological Terminology
Terminology In The Psalms And Unresolved Questions
Instruments In The New Testament

THE STONE AGE
(12th Millennium-3200 B.C.)
Natufians (ca. 12,000-8000 B.C.)
Syncretism Of Work, Cult, Adornment, And Sound
The Chalcolithic Period (ca. 4000-3200 B.C.)
Music In The Dumuzi Cult
The Appearance Of The Harp

THE BRONZE AGE
(3200-1200 B.C.)
Dance With Lyres And Drums
The Lute
Egyptian-Canaanite Music – Gods And Musicians
Music In The Symposium
Clay Rattles: Mass Music – Mass Cults – Mass Culture
The Priests’ Bronze Cymbals
The Megiddo Flute

THE IRON AGE
(1200-587 B.C.)
Female Drummers In The Israelite-Judean Kingdom And Surroundings
From The Sacred Female Double-Reed Blowers To Male Double-Reed Players
Lyres In Solo And Ensemble Performance
Pottery Drawings
Seals
Musicians And Dancers Of The Philistine And Phoenician Coast
Conch Trumpets
The Mystery Of Absence, Or An Argumentum Ex Silentio?
The Babylonian-Persian Period (587-333 B.C.): An Interlude

THE HELLENISTIC-ROMAN PERIOD
(Fourth Century B.C.-Fourth Century A.D.)
Apotropaic Bells
Idumean Hunting And Mourning Music And The Jewish Temple Trumpets
The Nabatean-Safaitic Culture
Instruments Of Avant-Garde Professionals And Conventional Folk-Musicians
The Cult Of Dionysus
Musical Instruments In Samaritan Areas
Musical Instruments As Symbols Of Cult, State, And Identity
The Shofar: Tool Of Sound And Ritual, Symbol Of Faith And National Identity
Bibliography
Index Of Subjects And Names
Index Of Scripture References

Additional Info
PRINT ON DEMAND TITLE

This book contains the first study of the musical culture of ancient Israel/Palestine based primarily on the archaeological record. Noted musicologist Joachim Braun explores the music of the Holy Land region of the Middle East, tracing its form and development from its beginning in the Stone Age to the fourth century A.D.

This is not a study of “music in the Bible” or music in “biblical times” but a unique, in-depth investigation of the historical periods and cultures that influenced the music of the region and its people. Braun combines significant archaeological findings – musical instruments, terra cotta and metal figures, etched stone illustrations, mosaics – with evidence drawn from written (mainly biblical) texts and anthropological, sociological, and linguistic sources.

The portrait Braun assembles of this past musical world is both fascinating and innovative, suggesting a reconsideration of many views long accepted by tradition. Enhanced with numerous illustrations and photographs that bring the archaeological evidence to life, this exceptional work will be a valued resource for scholars, students, and general readers interested in the history of music, biblical studies, Jewish studies, and the cultures of the ancient Near East.